Past Exhibitions

Chris McEvoy: Testing Ground

On view:

February 16th - March 24th

Opening Reception and Talk:

February 16th, 4:30 - 6:30 pm

Anna Warfield (American, b. 1995) is actively making work from her home studio in Upstate New York. An engaged member of the arts community for the last decade, her work is a response to the world around her. Her art takes the form of poetic textual statements made from fabric and most often presented in installation contexts. 

Warfield’s artworks have received juried recognition across New York State including Juror’s Choice at the 2021 Southern Tier Biennial, and Gertrude Herdle Moore and Isabel Herdle Award at the Memorial Art Gallery of Rochester’s 67th Rochester Finger Lakes Exhibition. While the world was on lockdown in 2020, Warfield received a collaborative NEA, NYSCA and NYFA, “Keep New York State Creating” grant to aid in the continued creation of her work during challenging times. In 2019, Warfield graduated from the NYFA/NYSCA Artist as Entrepreneur workshop and was recognized by the Greater Binghamton Chamber of Commerce for her work in the arts and notable impact on the wider community as a young professional with a HYPE Award.  

Warfield holds a B.F.A. and B.S. in Communication both from Cornell University where she has been invited back on a number of occasions to guest lecture. Beyond her personal practice, Warfield aims to engage in creative endeavors that challenge the current climate of the art world with a particular focus on the advancement of women in the arts. She has worked with and on projects with a number of artists and institutions, including Na Chainkua Reindorf, Carrie Mae Weems, Elisabeth Haly Meyer, Anthony Brunelli Fine Arts, Light Work, and Pace Prints.

Since 2020, she has worked as the Production Director for LUMA Projection Arts Festival, and she currently holds a seat on the Advisory Board of The Memory Maker Project, an arts, culture, and advocacy organization that works with people living with memory loss and their loved ones.

February 17th - April 2nd, 2022

Cocoa Rae is a New York-based visual artist, curator, content creative, photographer, and business owner of By Cocoa Rae LLC. She creates captivating portraits and art of unique and diverse people and captures their true essence. Her style consists of vivid colors, Afrocentric shapes, and vibes, as well as bold lighting techniques. Cocoa's goal is to create a new style of photography and art that promotes individuality, authenticity, body positivity, and self-love. Cocoa Rae's photographic portfolio ranges in fashion, editorials, portraiture, and fine arts. Currently, Cocoa shoots both film and digital photography.

Cocoa Rae has a Bachelor of Fine Arts degree in digital photography and A.S. in Liberal Arts and Sciences from MCC. During her undergraduate years of art school, Cocoa started a year-long portrait array called Pigment Series; a collection of mixed media artwork that consists of semi-nude photography and body painting. Each portrait captures the true essence of the model while promoting self-love, body positivity, and individuality. 

After graduating, Cocoa continued to work on the Pigment Series as well as other various artistic projects. She photographed and posed for a poetry book by FLCC alumnus Lester Mayers ’16 called “African Booty-Scratcha. In 2019, she became an Artist in Residence at Flower City Arts Center in Rochester, NY. She completed her two-year residency in September 2021.

Through all her years of work, Cocoa Rae has collaborated with various people and institutions, such as: The Slave Dwelling Project, The Cocktail Bandits, Charleston Fashion week, Charleston Magazine, Tedx Talks, Rochester Artist Collaborative, Visual Studies Workshop, Writers and Books, George Eastman House, and various others. In addition, she also curated two BLM exhibitions in honor of Daniel Prude.

October 2021

HorizonPoster_web.jpg
promo-01.jpg
front3-01.png
 
 
auction20.png

Chad Cleveland

On View October 1st - November 14th, Thursday - Saturday, 2pm - 6pm

chad_headshot.jpg
 
 
 

The Pruning Process

Emily Glass

Emily Glass is a Senior Lecturer in the School of Art, College of Art and Design at Rochester Institute of Technology where she specializes in teaching undergraduate and graduate courses in Drawing and Painting.She received a BFA from the State University of New York at Potsdam and an MFA degree in painting from Kansas State University.

: Two manicured evergreens among plants draped in cloths. Backed by a bright blue sky with gardening sheers in foreground.

“The Stage”-41” x 96” Oil on Canvas.

Discarded cherry pits on a white towel with stems scattered throughout.

“Cherry Pits”-24”x 72” Oil on Canvas.

: Two varieties of cabbage and one dandelion on bed of brown backed by a sky of luminous pale blue.

“Two Cabbages and a Lion”-24”x49” Oil on Canvas.

Organic matter abstracted on either side of image of snail, in cream colored shell, delicately crossing a mosaic of matter.

“Decomposition 2”- 30” x 39” Oil on Canvas. 

Clippings of plants atop a line of red orange and yellow. Top and bottom is all white but for the faint shadowy lines.

“The Discards”-

24” x 42” 

Oil on Canvas. 

Fresh pieces of arugula top a paper towel. Pale blue background transitions to a deep gray blue (left to right).

“The Liberal Arugula of our Current Culture”-30” x 39” Oil on Canvas.

A bright green stalk of Stevia stands before a sky of pinks and blues.

“Stevia’s Moment”-54”x24” Oil on Canvas. 

Two snakes stand next to each other. heads lifted above the horizon.

“Adders Dance”-29” x 38” Oil on Canvas.

: Several newts as seen through an amber lense. Horizontal composition in cool black to amber hues.

“Newts Seen Through Amber Liquid”- 24”x72” Oil on Canvas.

Snail crawls away over a field or organic matter abstracted in this vertical composition.

 

“Decomposition 3”-54”x24” Oil on Canvas.

Dandelions accentuated by their white tops sit in a glass vase atop a table dressed in white.

“The Grand Old Dandelion”-60”x48” Oil on Canvas.